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Kurt Julian Weill (March 2, 1900 – April 3, 1950) was a German composer, active from the 1920s in his native country, and in his later years in the United States. Originaltext und gebr. Das Lied umfasst insgesamt sechs Strophen.
He was an actor, known for The Third Man (1949.
Kurt Weill - Wikipedia. Kurt Julian Weill (March 2, 1. With Brecht, he developed productions such as his best- known work The Threepenny Opera, which included the ballad . Weill held the ideal of writing music that served a socially useful purpose. He became a United States citizen on August 2. Personal life. He grew up in a religious Jewish family in the .
Theo Lingen, Actor: M. Theo Lingen was born on June 10, 1903 in Hanover, Germany as Franz Theodor Schmitz. He was an actor and director, known for M (1931), Das. Das Neue Geistliche Lied - von Ren
Weill performed publicly on piano for the first time in 1. The following years he composed numerous Lieder to the lyrics of poets such as Joseph von Eichendorff, Arno Holz, and Anna Ritter, as well as a cycle of five songs titled Ofrahs Lieder to a German translation of a text by Yehuda Halevi. Koch, and also attended philosophy lectures by Max Dessoir and Ernst Cassirer.
The same year, he wrote his first string quartet (in B minor). During this time, he composed an orchestral suite in E- flat major, a symphonic poem of Rainer Maria Rilke's The Lay of the Love and Death of Cornet Christopher Rilke as well as Schilflieder, a cycle of five songs to poems by Nikolaus Lenau. In December 1. 91. Humperdinck, Weill was appointed as Kapellmeister at the newly founded Stadttheater in L. From May to September 1.
Weill spent a couple of months in Leipzig, where his father had become the new director of a Jewish orphanage. Before he returned to Berlin, in September 1. Sulamith, a choral fantasy for soprano, female choir, and orchestra.
Studies with Busoni. After examining some of Weill's compositions, Busoni accepted him as one of five master students in composition at the Preu. During his first year he composed his first symphony, Sinfonie in einem Satz, as well as the lieder Die Bekehrte (Goethe) and two Rilkelieder for voice and piano. To support his family in Leipzig, he also worked as a pianist in a Bierkeller tavern. In spring of 1. 92. Weill joined the November Group's music faction.
That year he composed a psalm, a divertimento for orchestra, and Sinfonia Sacra: Fantasia, Passacaglia, and Hymnus for Orchestra. On November 1. 8, 1. Die Zaubernacht (The Magic Night) premiered at the Theater am Kurf. Among his students were Claudio Arrau, Maurice Abravanel, Heinz Jolles (later known as Henry Jolles). Arrau, Abravenel, and Jolles remained members of Weill's circle of friends thereafter.
Further premieres that year included a performance of his Divertimento for Orchestra by the Berlin Philharmonic under the direction of Heinz Unger on April 1. Hindemith- Amar Quartet's rendering of Weill's String Quartet, Op. In December 1. 92. Weill finished his studies with Busoni. At Kaiser's house in Gr.
She took great care to support Weill's work, and after his death she took it upon herself to increase awareness of his music, forming the Kurt Weill Foundation. From November 1. 92. May 1. 92. 9, Weill wrote hundreds of reviews for the influential and comprehensive radio program guide Der deutsche Rundfunk. Hans Siebert von Heister had already worked with Weill in the November Group, and offered Weill the job shortly after becoming editor- in- chief.
Concerto for Violin and Wind Orchestra, Op. Gustav Mahler, Arnold Schoenberg and Igor Stravinsky, Weill tended more and more to vocal music and musical theatre. His musical theatre work and his songs were extremely popular with the wider public in Germany at the end of the 1. Weill's music was admired by composers such as Alban Berg, Alexander von Zemlinsky, Darius Milhaud and Stravinsky, but it was also criticised by others: by Schoenberg, who later revised his opinion, and by Anton Webern.
His best- known work is The Threepenny Opera (1. John Gay's The Beggar's Opera written in collaboration with Bertolt Brecht. Engel directed the original production of The Threepenny Opera in 1. It contains Weill's most famous song, . The stage success was filmed by G. Pabst in two language versions: Die 3- Groschen- Oper and L'op. Weill and Brecht tried to stop the film adaptation through a well publicised lawsuit.
Weill's working association with Brecht, although successful, came to an end over politics in 1. Though Weill associated with socialism. With no option but to leave Germany, he went first to Paris, where he worked once more with Brecht (after a project with Jean Cocteau failed) on the ballet The Seven Deadly Sins. On April 1. 3, 1. The Threepenny Opera was given its premiere on Broadway, but closed after 1. Amsterdam and New York by Bruno Walter, and also the music for Jacques Deval's play, Marie Galante (fr).
Moritz Hotel before moving on to an apartment at 2. East 6. 2nd Street between Third and Second Avenues. Some of the other artists who summered there in 1. Elia Kazan, Harry Morgan, John Garfield, Lee J. Cobb, Will Geer, Clifford Odets, Howard Da Silva and Irwin Shaw. In 1. 93. 9 he wrote the music for Railroads on Parade, a musical spectacular put on at the 1. World's Fair in New York to celebrate the American railroad industry (book by Edward Hungerford).
Unique among Broadway composers of the time, Weill insisted on writing his own orchestrations (with some very few exceptions, such as the dance music in Street Scene). Weill himself strove to find a new way of creating an American opera that would be both commercially and artistically successful. The most interesting attempt in this direction is Street Scene, based on a play by Elmer Rice, with lyrics by Langston Hughes. For his work on Street Scene Weill was awarded the inaugural Tony Award for Best Original Score. Weill was active in political movements encouraging American entry into World War II, and after America joined the war in 1. Weill enthusiastically collaborated in numerous artistic projects supporting the war effort both abroad and on the home front. He and Maxwell Anderson also joined the volunteer civil service by working as air raid wardens on High Tor Mountain between their homes in New City, New York and Haverstraw, New York in Rockland County.
Weill became a naturalized citizen of the United States in 1. In the US, he wrote Down in the Valley, an opera including the song of the same name and other American folk songs. He also wrote a number of songs in support of the American war effort, including the satirical . Intended for broadcast to Germany, the song chronicled the progress of the Nazi war machine through the gifts sent to the proud wife at home by her man at the front: furs from Oslo, a silk dress from Paris etc., until finally, from Russia, she receives her widow's veil. The text and music on his gravestone. I could wish the times in which he lived had been less troubled.
But these things were as they were . In Weill's lifetime, his work was most associated with the voice of his wife, Lotte Lenya, but shortly after his death . His music has since been recorded by many performers, ranging from Nina Simone, Frank Sinatra, The Doors, Ella Fitzgerald, David Bowie, Robbie Williams, Judy Collins, John Zorn, Dagmar Krause, Steeleye Span, The Young Gods and PJ Harvey to New York's Metropolitan Opera and the Vienna Radio Symphony Orchestra. Singers as varied as Teresa Stratas, Ute Lemper, Gisela May, Anne Sofie von Otter, Max Raabe, Heinz Karl Gruber, Dee Dee Bridgewater and Marianne Faithfull have recorded entire albums of his music. In 1. 98. 5, Hal Willner produced Lost in the Stars: The Music of Kurt Weill, a tribute album in which Weill's songs were interpreted by a variety of artists, including Todd Rundgren, Ella Fitzgerald, Tom Waits, Lou Reed and Sting.
In 1. 99. 1, seminal Swiss. Industrial music band The Young Gods released their album of Kurt Weill songs, The Young Gods Play Kurt Weill. Weill was also often cited as an influence on Goldfrapp's Felt Mountain. In 2. 00. 8, Weill's songs were performed by Canadian musicians (including Sarah Slean and Mary Margaret O'Hara) in a tribute concert as part of the first annual Canwest Cabaret Festival in Toronto.
In 2. 00. 9 Duke Special released an EP, Huckleberry Finn, of five songs from an unfinished musical by Kurt Weill based on the novel by Mark Twain. Connected family. His first cousin once removed was Caesar Hochstetter (born January 1. Ladenburg, a suburb of Mannheim . His second cousin was the childhood prodigy pianist, Lisy Fischer (born August 2.
Z. 6 (unfinished)1. Quodlibet, suite for orchestra from the pantomime Zaubernacht, op. Concerto for violin and wind orchestra, op. Bastille Musik, suite for wind orchestra (arranged by David Drew, 1. Gustav III, by August Strindberg. Kleine Dreigroschenmusik, suite from Die Dreigroschenoper for wind orchestra, piano and percussion, (premiere conducted by Otto Klemperer)1. Suite panam. 2 in three movements for orchestra, (premiere by Royal Concertgebouw orchestra under Bruno Walter)1.
Hatikvah, arrangement of the Israeli National Anthem for orchestra. Lieder, Lieder cycles, songs and chansons. Lieder cycle for soprano, flute, viola, clarinet, horn and bassoon (after medieval poems)1. Stundenbuch, Lieder cycle for baritone and orchestra, text: Rainer Maria Rilke. Klopslied, for high voice, two piccolos and bassoon ('Ick sitze da un' esse Klops'/Berliner Lied)1. Vom Tod im Wald (Death in the Forest), Op. Bertolt Brecht. 19.
Berlin im Licht- Song, slow- fox, text: Kurt Weill; composed for the exhibition Berlin im Licht, first performance in Wittenbergplatz (with orchestra) on October 1. October 1. 6 in the Kroll Opera (with voice and piano)1.
Die Muschel von Margate: Petroleum Song, slow- fox, text: Felix Gasbarra for the play by Leo Lania, Konjunktur. Zu Potsdam unter den Eichen (In Potsdam under the Oak Trees), song for voice and piano, alternatively male chorus a cappella, text: Bertolt Brecht.
Das Lied von den braunen Inseln, text: Lion Feuchtwanger, from the play by same author, Petroleum Inseln. Der Abschiedsbrief, text: Erich K! Ensemble Musique Oblique/ Philippe Herreweghe (Harmonia Mundi, 1. Kleine Dreigroschenmusik / Mahagonny Songspiel / Happy End / Berliner Requiem / Violin Concerto op. Loes Luca, Ensemble Dreigroschen, directed by Giorgio Bernasconi, assai, 2. Melodie Kurta Weill'a i co. Leipziger Streichquartett (MDG 3.
Symphonies 1 & 2.